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池内友次郎のフランス音楽受容<人文・社会科学>
https://doi.org/10.24561/00017506
https://doi.org/10.24561/000175067a4c6381-3bac-4661-9253-95ff4f6565a0
名前 / ファイル | ライセンス | アクション |
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KY-AA12318206-5901-12.pdf (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2010-06-18 | |||||
タイトル | ||||||
タイトル | 池内友次郎のフランス音楽受容<人文・社会科学> | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 池内友次郎 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 近代日本 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 芸術音楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | フランス音楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | Tomojiro Ikenouchi | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | modernism in Japan | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | art music | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | French music | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24561/00017506 | |||||
ID登録タイプ | JaLC | |||||
タイトル(別言語) | ||||||
その他のタイトル | A Study on the Reception of the French modern Music by Tomojiro Ikenouchi | |||||
著者 |
神月, 朋子
× 神月, 朋子 |
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著者 ローマ字 | ||||||
KOUZUKI, Tomoko | ||||||
著者 所属 | ||||||
埼玉大学教育学部音楽教育講座 | ||||||
著者 所属(別言語) | ||||||
Faculty of Education, Saitama University | ||||||
書誌情報 |
埼玉大学紀要. 教育学部 en : Journal of Saitama University. Faculty of Education 巻 59, 号 1, p. 155-162, 発行日 2010 |
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年月次 | ||||||
2010 | ||||||
出版者名 | ||||||
出版者 | 埼玉大学教育学部 | |||||
出版者名(別言語) | ||||||
出版者 | Faculty of Education, Saitama University | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18815146 | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | This article will clarify the creative idea of Tomojiro Ikenouchi (1906-1991), a composer who was admitted to Conservatoire National Supérieur de Musique as first Japanese student, in order to consider the reception of the French modern music before the World WarⅡin Japan. His idea is examined from the four points of view: Nô, Haiku, education in France and the music of Maurice Ravel. Ikenouchi formed his aesthetic idea through Nô and Haiku which show the essence of the expression by the least medium. In France he learned that the French theory of harmony, different from the German one, requires the unique beauty and rigid rationality, not the right answer. He also recognized that the composit on must be done on the strong foundation, which had been lacked among the Japanese composers. This foundation or technique, together with the improvisation (inspiration), can create the work of art. With these experience Ikenouchi wrote, as the first Japanese composer, the music on the model of Ravel, a composer of the neo-classicism because he treated the beauty and rationality expressed by the least medium, common to the Japanese traditional arts and the European neo-classicism. It also means the fusion of the East and the West which Ikenouchi seeks to realize during and after his stay in France. The succession of his idea has been seen when many of his pupils developed their original music which is highly estimated in the world. Its further examination must be done. |
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版 | ||||||
[出版社版] | ||||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | text | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
作成日 | ||||||
日付 | 2010-06-18 | |||||
日付タイプ | Created | |||||
アイテムID | ||||||
KY-AA12318206-5901-12 |