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近代日本芸術音楽創造に対するフランス派の影響試論<人文・社会科学>
https://doi.org/10.24561/00017596
https://doi.org/10.24561/0001759659007235-513d-4f0b-8b64-1d6c86f796d8
名前 / ファイル | ライセンス | アクション |
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KY-AA12318206-6002-13.pdf (182.6 kB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2011-09-28 | |||||
タイトル | ||||||
タイトル | 近代日本芸術音楽創造に対するフランス派の影響試論<人文・社会科学> | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 近代日本 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 芸術音楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | フランス音楽 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | フランス派 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 池内友次郎 | |||||
キーワード | ||||||
主題Scheme | Other | |||||
主題 | 平尾貴四男 | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.24561/00017596 | |||||
ID登録タイプ | JaLC | |||||
タイトル(別言語) | ||||||
その他のタイトル | A Study on the Influence of the Reception of the French Modern Music on the Creation of the Japanese Modern Music | |||||
著者 |
神月, 朋子
× 神月, 朋子 |
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著者 ローマ字 | ||||||
KOUZUKI, Tomoko | ||||||
著者 所属 | ||||||
埼玉大学教育学部音楽教育講座 | ||||||
著者 所属(別言語) | ||||||
Faculty of Education, Saitama University | ||||||
書誌情報 |
埼玉大学紀要. 教育学部 en : Journal of Saitama University. Faculty of Education 巻 60, 号 2, p. 141-147, 発行日 2011 |
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年月次 | ||||||
2011 | ||||||
出版者名 | ||||||
出版者 | 埼玉大学教育学部 | |||||
出版者名(別言語) | ||||||
出版者 | Faculty of Education, Saitama University | |||||
ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 18815146 | |||||
概要 | ||||||
内容記述タイプ | Other | |||||
内容記述 | This article will explain the influence of the reception of the French modern music to the creation of the Japanese modern music from Meiji Era to the beginning of Showa Era. The exchange between France and Japan which began at the national level turned to the personal and internal one in the cultural and musical area. The composers who went to France(called here French School) looked for the different modernism from that of German style and tried two subjects : one is a thoroughgoing exercise of composition and harmonics which was possible only at the French conservatoires; another is a try to have a fusion of two musical cultures facing their differences. As a conclusion, we got the idea that the French School thus prepared the way to realize the highest level of nationalism in music and laid the foundation of the Japanese modern music after the World War 2, which led to the birth of the composers recognized in the world like Toru Takemitsu. |
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版 | ||||||
[出版社版] | ||||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
資源タイプ | ||||||
内容記述タイプ | Other | |||||
内容記述 | text | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
作成日 | ||||||
日付 | 2011-09-28 | |||||
日付タイプ | Created | |||||
アイテムID | ||||||
KY-AA12318206-6002-13 |