@article{oai:sucra.repo.nii.ac.jp:00018948,
 author = {神月, 朋子},
 issue = {1},
 journal = {埼玉大学紀要. 教育学部, Journal of Saitama University. Faculty of Education},
 month = {},
 note = {This paper will analyze “PPAP,” created and performed by Pikotaro, Japanese musician, and performer, released in 2016. It received worldwide views and listens, revealing its universality, modernity, and problem1).
 The two fundamental concerns of this paper are world music and ethnomusicology 2).
 This paper contains five sections. Section 1 (“Introduction”) shows the object of this research. Section 2 gives an outline of PPAP and introduces its short history from creation to acceptance. Section 3 (“Analysis”) classifies the piece into seven portions and discusses their constructions and elements. Section 4 (“Consideration”) shows the meaning of the analysis and clarifies the characteristics of the piece. Section 5 (“Conclusion”) examines the universality, modernity, and problem of PPAP., text, application/pdf},
 pages = {215--223},
 title = {An analysis of “PPAP” by Pikotaro : A Case Study of the World Music in Popular Music<人文・社会科学>},
 volume = {69},
 year = {2020},
 yomi = {コウヅキ, トモコ}
}